Index
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01.
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04.
05.
06.
07.
08.
About
Body Study
Untitled
Anima-in anima
We are living in a room
Self-portrait
Note
Change
The Wake of the Body




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zeal.ji_
oneg991228@gmai.com









Oneg Lab    
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CV
Lim Won Ji (oneg) is an artist born and raised in South Korea. She earned her BFA in Ceramics & Glass from Hongik University, where she developed a material-based practice grounded in clay and glass. Through this training, she became deeply attentive to how materials respond to pressure, heat, gravity, and time.



She is currently pursuing an MFA in Sculpture at the School of the Art Institute of Chicago (SAIC), where she has expanded her practice to include a wider range of materials and processes. Her work investigates the human body not as a fixed form, but as a site of constant reaction—one that leaves subtle traces as it moves through space, encounters resistance, and responds instinctively before conscious thought.



Influenced by the idea that human existence is never complete or fully resolved, she considers the body as something continuously shaped by external forces rather than guided by a predetermined purpose. She is drawn to moments where intention breaks down and involuntary responses emerge, treating these moments as material evidence of being alive. Through sculpture, installation, and process-based experimentation, she explores traces that exist between presence and absence, fragility and structure, and permanence and erosion.



Education

2025 Hongik University BFA C&G

2027 SAIC MFA Sculpture


Group Exhibition 

2022 Undergraduate Exhibition, Seoul

2023 Undergraduate Exhibition, Seoul

2023 M.A.P Exhibition, Seoul

2024 Shio:ri Exhibition, Seoul

2024 Graduate Exhibition, Seoul

2025 In Forms of Becoming, Chicago

          
Solo Exhibition

2024 1st Solo Exhibition, Seoul





06.Note

2024


18*12*65 (in)
18*12*65 (in)
Wood, mirror, stocking, stone, photo, glass, plate, joint doll, vacuum-packed teethacrylic board, brick, glass, rubber band, joint doll, Lego brick, photo, mirror

Through Note 1 and Note 2, I bring together bodily fragments, personal interpretations of the body, and an analysis of the traces left upon it. Using Legos, I experiment with shaping different bodily postures, while photographic images are used to examine the body’s fragility and vulnerability.

I also incorporate objects from my childhood and everyday life—such as my own teeth and pieces of chewed gum—embedding intimate, lived traces into the works. These varied approaches to the body intersect and overlap, revealing unexpected connections between form, memory, and material. Through this series, I seek to arrive at a renewed understanding of the human body.