Untitled

2024

The Body Study series explores organic forms derived from different parts of the human body. In contrast, the Untitled series takes a more distilled approach, focusing on symmetry and uprightness to refine these forms. To further distance the Untitled works from a direct reference to the body, I intentionally selected colors that resist figuration.

To express the relationships between different bodily parts, I combined opaque and transparent materials. Cement was used for opacity, while glass was chosen for transparency, with the forms created through casting processes. Glass, in particular, can be melted in the kiln and reshaped with precision, allowing me to construct controlled forms. This material process reflects the way I analyze and reinterpret the body, resulting in forms that move beyond representation and toward my own formal language.