I am drawn to the morphological aspects of the human body, particularly its symmetry and upright posture. In my visual research, these characteristics repeatedly emerge across anatomical structures—including the genitalia—which I approach as formal and structural elements rather than as symbols of sexuality.
By emphasizing symmetry and verticality, I aim to transform the body into a totemic form: a symbolic figure that gestures toward a collective human identity rather than an individual one. This line of inquiry forms the foundation of my Body Study series.
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